Grass Grows

Grass Grows          In his book, Leaves of Grass, Walt Whitman describes his tie-up with nature and the environment that surrounds him. He overly emphasises how he can empathize with everyone by claiming that he is donation of everyone and everyone is a part of him. Whitman overly presents the idea of everlastingity and how it is attained. Whitman describes push-down list as something of a supernatural essence, as products of death, and as leaves, or pages, of a book, to emphasize the sense that cop pay offs immortality.          maven of Whitmans most recognisable talents is the ability to establish a connection in the midst of something scurvy and something vast. Whitman does this several times with bewray. ¦I guess [ stag] is the handkerchief of the Lord,/A scented gift and remembrancer on purpose dropped,/ Bearing the owners name some port in the corners, that we may look out/ and remark, and say Whose (29). Whitman takes the reade r from a blade of potful to god, the creator. God created the priming and when He did, he left proof that He created the Earth by leave his signature; mess. Whitman also describes the slew as children. ¦[T]he grass is itself a child¦.the produced babe of the/ plant (29). Mother Earth cedes grass, or, in this case, children. Once once more, Whitman makes the readers attend travel from a blade of grass, to the lawsuit of the Earth. The greatest of all in all transitions from small to vast is the connection Whitman establishes between the grass and stars. I believe a leaf of grass is no slight than the journeywork of the stars (55). Within a line, Whitman succeeds in woful from a small, rather insignificant object, to a grand one. Whitman brings grass to the same level as the Earth, the stars, and even God, all of which represent some degree of immortality, and then resolving that grass represents immortality.         As swell up as using a magnifying technique, Whitman also gives gra! ss a sense of immortality by using morbid descriptions that also deal with the conduct motorcycle that includes death. For example, when people die, their corpses provide nutrients to the alter , which can then yield grass. Another example of his subroutine of a cycle is when he talks about the counterpunch of deportment after death. The smallest charge shows there is really no death,/And if there ever was it conduct forward to life, and does not forbear at the/end to receive it,/And ceased the moment life disappe bed (30). Again, Whitman emphasizes the immortality of grass, as it springs from death in sprouts and invigorated forms of life in a never-ending cycle.         As well as describing grass to emphasize an immortal cycle of life and death, Whitman also describes grass as a collection of mans thoughts.

These are the thoughts of all men in all ages and lands¦[t]his is the grass that grows wheresoever the land is and water is¦ (41). The leaves of grass are the leaves of books which carry mans function and allow man to brook forever among the pages. Whitman also takes it to a personal level. I entrust myself to the dirt to grow from the grass I love,/If you want me again look for me under your bootsoles (86). Again, he emphasizes the life and death cycle. He becomes the corpse in the Earth that provides the nourishment for the grass. He becomes immortal because he becomes part of the grass; part of nature. He lives on in the leaves of his book. By way of the leaves of grass, Whitman becomes immortal.         Grass, the product of death, the leaves of a book, gi ves Whitman a way to ensure his immortality. By writi! ng on pages, he leaves his voice to live on forever in his writing. His becomes imprisoned by the Earth from wherefore it originated (according to the Bible; ashes to ashes, carcass to dust) to yield fresh life in the form of grass. Walt Whitman succeeded, as he is immortal in Leaves of Grass.                   If you want to get a full essay, order it on our website: BestEssayCheap.com

If you want to get a full essay, visit our page: cheap essay