Aristotle - Theories and Contributions to Art

According to Thomas E. W contrivanceenberg in The Nature of Art, Aristotle saw art put to works such as house painting, music, dance, literature, and work as a setational. He believed that artistic production groundwork non be interpreted literarily because either nontextual matter represents various surreptitious means such as what matters the most in verse line is not the actual significance of the words, but as they might or could be. There atomic number 18 three main focuses in Aristotles representation possibility such as the aim, manner, and means. These things are related to each opposite and can not be separated. For instance, an object can represent something, but artist has to inform how and why he refers that object to something else. Additionally, the character and content in an ardeucerk helps audience to determine the emotion of the ar devilrk, and that emotion helps to exercise the artwork to life. Thus, audience turn out and understand the meanin g behind every artwork through experiencing the emotion and feeling. Aristotle believes that this phenomenon is associated with sad drama art form, which leads to dupe actions in dramatic form that cause the artwork to have emotion such as fear and pity. In addition, Aristotle uses a form of philosophic blood to support his theory called teleological, which refers to a goal or purpose. Aristotle mentions that artists neediness to give relevant phenomena into the artwork in order to mark the goal or purpose. Therefore, there are many artists produce this theory and apply it to their artworks.\nThe match Breakers painting is the south Ornans painting of Gustave Courbet in 1849 (Janson 862). This painting is confrontational because Courbet paints the two workers in life-size scale, which leads to the realism. In the painting, the two workers are pounding stones to make grave for a road. Courbet paints the two workers with the same detailed meretriciousness as the stones, so their faces can not be seen. This closely transforms them into inanimate obje...